Showing posts with label Long Island. Show all posts
Showing posts with label Long Island. Show all posts

Monday, September 1, 2014

Interviewing Pamela Burford

Today I have the pleasure of introducing you to Pam Burford. I've known Pam for many years. She is a wonderful writer and the founder of the Long Island Romance Writers, of which I am a member.

Tell us where you grew up and the kind of work you did before.
I grew up mostly on Long Island and still live there, which is why it’s been the setting for most of my books. In addition to writing, I have a day job: editor in chief of a nonprofit organization that produces a free audio magazine for people who are blind and print-disabled. It’s an incredibly rewarding job and has also been a wonderful education for my writing career.

Tell us a bit about your previous published novels.
Before Undertaking Irene, which is the first book in my new humorous mystery series, I wrote fourteen works of romantic suspense and contemporary romance.

What made you decide to write mysteries?
I knew I wanted to write a series, and my previous books that included mystery were the most fun to write, so it was an easy decision to make!

Give us a brief summary of your new book.
Jane Delaney, the town’s Death Diva, has been hired to surreptitiously liberate a brooch from the corpse during a wake. Before she can manage it, a mysterious man impersonating a priest beats her to it. Throw in a mysterious death that’s officially chalked up to natural causes, and an orphaned poodle with grooming and neurosis issues, and the game is on!


Why did you decide to publish Undertaking Irene yourself? Are you pleased you’ve gone this route?
I wanted total control over the publishing process. In particular I didn’t want to publish it traditionally, pray that I could live with the publisher’s decisions, and then wait years for the rights to revert to me. Does that make me a control freak? Well…☺

What do you think makes your books and your writing style unique?
For one thing, all of my books include some humor—it’s integral to my personal style. Dark, navel-gazing stories are not my thing! I love to entertain, and I love quirky characters and situations.

What advice would you give new writers?
Join a writers’ organization. Never underestimate the value of networking with, and learning from, your fellow writers.

What do you plan to write next?
Book two of the Jane Delaney mystery series, of course! The working title is Uprooting Ernie.

Who are some of your favorite mystery writers?
Tana French, who writes the Dublin Murder Squad books, is my favorite. I also love the work of Timothy Hallinan and the late Elmore Leonard.

These days writers are expected to market and handle PR for their books. What do you find is the best way to get out the word about your books?

I wish I knew! I use social media, price promotions, and a street team, but I prefer spending my time writing the best books I can. I figure if they’re good enough, the readers will find them.

 In what other genre would you consider writing?
I still love romance, and in fact there’s a romantic subplot in Undertaking Irene which will continue throughout the series. Jane is pulled in two directions between the proverbial Good Boy and Bad Boy. Fun times! I’m having such a great time writing this series, I can’t see doing anything else for the foreseeable future.

Sale links for Undertaking Irene:

Kindle: http://smile.amazon.com/Undertaking-Irene-Jane-Delaney-Mysteries-ebook/dp/B00MD5VDNS/ref=sr_1_1?s=books&ie=UTF8&qid=1407028812&sr=1-1&keywords=undertaking+irene

Nook: http://www.barnesandnoble.com/w/undertaking-irene-pamela-burford/1119853430?ean=9781939215840

Kobo: http://store.kobobooks.com/en-US/ebook/undertaking-irene


iTunes: https://itunes.apple.com/us/book/undertaking-irene/id892076107?mt=11&uo=4

Monday, July 15, 2013

Interviewing Toby Speed


Today I'm interviewing Toby Speed, a fellow Long Island Sister in Crime. Toby's first mystery, DEATH OVER EASY, is coming out September 15th with Five Star Publishing

Briefly tell us a bit about yourself—where you grew up, went to school, what you studied, the kind of work you did or do.

I grew up in Syosset, Long Island, and later moved east, but Long Island has always been my home except for a few years in New York City and Bergen County, New Jersey, where my oldest child was born. It’s hard to believe I’ve been in my current location for 30 years.

While I lived in the city I took writing classes at The New School, and I’ve been a writer professionally for many years. I work at a university, writing feature stories and brochures and anything else they throw at me. Now I’m looking forward very much to write-tirement!

Like me, you were first published as an author of books for children. How did that come about?

My parents read to me from birth and so I grew up loving books. Then I did the same with my own children. While reading them great picture books like GOODNIGHT MOON, SWIMMY and lots of others, I was inspired to try my hand at writing children’s books. It was a great way to combine my love for poetry, simplicity, directness and a wacky imagination into a satisfying vocation.

I’ve published seven children’s books, and have written many stories for Highlights for Children and other magazines. And I may go back to writing children’s books someday – never say never!

What got you started writing mysteries? Is there a carry over in your writing from one genre to the other?

I got started writing mysteries because I loved reading them. There is nothing like a good puzzle, especially when it’s written with depth of character and a sense of humor. As far back as 20 years ago I was playing with ideas for a mystery, filling notebooks with characters and plot ideas. And I’ve always enjoyed forensics programs on TV. So, mystery-writing began gradually for me. Eventually, the book I
was trying to write took over my life, and I had to finish it in order to regain my self-respect.

To me, there are more similarities than differences in writing in these two genres. They both use similar “muscles” for creativity, humor, style, story arc and other aspects of effective writing. And I think I am recognizable in all my writing, whether it’s for adults or for children.


Tell us a bit about your new mystery.

DEATH OVER EASY is my first Emma Trace mystery. It’s set on Long Island in the village of Port Jefferson, and it involves blackmail, murder and flying. Emma is a practical, both-feet-on-the-ground type of person who happens to be part of a family of gamblers and aerial daredevils. When police suspect her of having murdered the local diner’s short order cook, s
he is forced to come out of her safe world to find the real killer.

For me, writing this book was a great journey in the understanding of fear, risk and reward. At the outset, I shared with Emma a fear of flying, and so I learned how to fly during the writing of this book in order to understand her better. I have a private pilot’s license.

Emma’s story will continue with book #2, DEATH UNDER THE RADAR.

These days, authors are expected to promote their books. How do you do this? What do you think is the best way to reach readers?

I’m learning as I go. So far I’m enjoying connecting with readers and other writers through Facebook (www.facebook.com/tobyspeedauthor), Twitter (@TobySpeed1), my monthly newsletter and the emails I receive. It’s fun making friends; whether this translates to sales remains to be seen.

What’s your favorite aspect of writing?

Finding the right words! I love poring over a thesaurus; it’s my favorite writing tool.

What do you like to do when you’re not writing?

I love walking outdoors, doing yoga, and reading. More and more I treasure being outdoors in natural, beautiful surroundings, such as the north shore beaches, rivers and lakes, and mountains. The last few I have to leave Long Island to find, of course.

What advice would you give someone who’s almost finished writing his/her first mystery novel?

Don’t be in too much of a hurry to publish it. Find some friends or colleagues whose opinions you value, or find a critique group online or in person, and share your work. Learn to listen and be receptive to ideas, and at the same time respect your own strengths and goals in writing. This way you will continually develop as a writer, and when your work is ready for publication you will find the whole task much easier. Believe in yourself!

What writers’ groups and organizations do you belong to? In what ways do you find them of value?

I’m a member of Sisters in Crime and Mystery Writers of America. I joined Sisters in Crime to get a discount on registration at the New England Crime Bake a couple of years ago, and I got so much out of that conference and met so many terrific people that I was eager for more. I contacted Marilyn (host of this interview!), who was then president of the Long Island chapter of Sisters in Crime, and I started going to meetings. We have a fabulous group of writers, editors, former detectives, forensics experts and others, so the friendship and networking is invaluable. We also invite speakers to talk about writing and crime-solving, and we take field trips. This year I hold the position as secretary for the chapter.

What are your thoughts regarding critique groups?

They can be very valuable if those in the group know how to critique constructively and gently. Writers need to develop a skin but they also need to be open to truly useful, helpful advice.

What is your next writing project?

I’m working on DEATH UNDER THE RADAR, the second Emma Trace mystery, which is about a distant cousin of Emma’s, a retired K-9 cop who was shot during a bust and now comes back to help solve a murder. His K-9 partner Strider plays a major role in the story.

I am also writing some short mystery stories. My story “At the Corner of Night and Nowhere” will appear in the forthcoming Untreed Reads anthology called MOON SHOT: MURDER AND MAYHEM ON THE EDGE OF SPACE.

Toby's website is: www.tobyspeed.com

Monday, April 15, 2013

Talking About My New Mystery


My mystery, Murder a la Christie, a Malice Domestic finalist, is coming out in a few months. Forty-eight-year-old Lexie is an English professor at a Long Island university. She’s beautiful and brainy, but has no smarts when it comes to men. Her first husband left her twenty-six years ago, when she was pregnant. It irks her that her ex, an absentee father during the years she raised Jesse, now enjoys a good relationship with their son, probably because they’re both musicians living in California. Three years ago, Lexie married a colleague who turned out to be a nutcase. When she told him she was leaving him, he burned down her house with himself inside. Now she's homeless, so to speak, and short on funds.

Lexie's best friend, Rosie, asks her to lead the Golden Age of Mystery book club she has created. The first meeting, a discussion of Agatha Christie novels, is held in Rosie and Hal’s mansion in the upscale village of Old Cadfield. Lexie muses that she could have lived the elegant life--if she hadn’t broken up with Hal when they were in college. If only she hadn't found him boring.

Before the meeting, Lexie overhears Sylvia, an old friend of hers, arguing with a neighbor. “Write that book if you dare, but you won’t live to see it in print!” Gerda tells Sylvia. An hour later, Sylvia is dead.

Lexie agrees to house sit Sylvia’s Old Cadfield home for the duration of the summer. While she appreciates her lovely surroundings and enjoys having a private pool at her disposal, she doesn’t feel  comfortable with the Old Cadfield crowd. As she investigates Sylvia’s death and gets to know the book club members better, Lexie learns that money doesn’t necessarily make for happiness. Each member harbors a secret. The murderer strikes again, and Lexie begins to feel she’s living an Old Cadfield version of Agatha Christie’s Ten Little Indians.

Lexie is drawn to two very appealing, sexy men: the renown architect who built Sylvia’s home and the homicide detective in charge of the murder investigation. Will she make the "right" choice this time?

And then an "accident" occurs, and Lexie barely escapes with her life. The murderer is losing control. Lexie employs Poirot’s power of deduction and Miss Marple’s cleverness to find the murderer before he/she kills again.