Showing posts with label Murder in the Air. Show all posts
Showing posts with label Murder in the Air. Show all posts

Monday, August 18, 2014

Me & My Sleuths

I love my sleuths and have lots of fun watching them solve murders and navigate relationships. As the protagonist in a series, each of my sleuths is complex, with both endearing and irritating characteristics. They’re all clever enough to solve mysteries, spunky enough to take risks they have no business taking, and all have blind spots that occasionally lead them to wrong conclusions and into danger. As their creator, I have something in common with each and every one of them. I thought I’d say a few words about my sleuths Lydia, Gabbie, and Lexie—what they’re like and the traits and similarities I share with each.

Lydia Krause stars in A Murderer Among Us and Murder in the Air of the Twin Lakes Mysteries series. She is an attractive widow aged 58, who once ran her own company and now resides in the upscale retirement community of Twin Lakes on Long Island with her red tom Reggie. She has two daughters who give her joy and grief, a slew of new friends, and a budding relationship with Detective Sol Molina. While I live in a gated community on Long Island, it’s nowhere as posh as Twin Lakes, nor is it a retirement community, and, alas, we don’t have an indoor pool. Ironically, Lydia became a widow before I did. I have two sons, not two daughters, and one granddaughter so far, not two as Lydia has. Both Lydia and I have red toms.

In Giving Up the Ghost Gabbie Meyerson comes to the village of Chrissom Harbor on Long Island in the middle of a cold January to teach English at the local high school.
Gabbie is in her midthirties and like Lydia, starting a new life. She has recently divorced her husband, after helping to send him to prison for white collar crimes. She rents a cottage on a bluff and discovers she has a housemate—the ghost of wheeler dealer Cameron Leeds, who plagues Gabbie until she agrees to find out who murdered him. Gabbie’s students play a part in the mystery. While I never had a ghost for a housemate, I was a high school teacher for several years though my subject was Spanish. I never divorced my husband, nor did he ever commit any crimes. We writers must take liberties. <g>

Lexie Driscoll is my sleuth in the Golden Age of Mystery Book Club series. Lexie is a 48-year-old English professor at a Long Island university. Though she is very bright, she has poor judgment when it comes to choosing husbands. Her first husband left her when she was pregnant with her son, Jesse. Now father and son enjoy a close relationship. Years later, she married a fellow academic, only to learn he was extremely unstable. When Lexie told him she was ending the marriage, he burned down her house and died in the fire. In Murder a la Christie, Lexie’s best friend, now married to Lexie’s former college boyfriend, asks her to facilitate a Golden Age of Mystery book club in her wealthy town of Old Cadfield, Long Island. While discussing Agatha Christie and her novels, one of the members becomes ill and dies. Lexie is c
ertain that Sylvia’s been poisoned. More members are murdered, and Lexie fears their lives are on a parallel course of Christie’s novel, And Then There Were None. Lexie’s barrage of questions often upsets the Old Cadfield residents. She exposes old secrets and resentments, until someone tries to kill her. While I’m nowhere as intrusive as Lexie, probably because I haven’t had to, I find it ironic that just before the book was published, my local library asked me to lead the mystery book club. (I am no longer the leader, and we have not suffered any murders. ) A case of life following art.  <g>

What do you and your sleuths have in common?

Monday, April 7, 2014

A Theme Runneth Through It

The other day my friend and fellow writer, Pat Gligor, was a guest on my blog http://www.marilynlevinson.com/blog/  to talk about her new mystery, Dangerous Deeds. She discussed When a Child Goes Missing, one of the themes of her novel.

It got me thinking about themes. All novels require a powerful theme, and that includes mysteries. Love, betrayal, friendship, whatever. The theme of a mystery runs through it, impacting the lives of victims, suspects, and murderer. Theme adds a dimension. It provides ballast. It adds interest to your story.

In my latest mystery, Murder a la Christie, Lexie has her hands full trying to discover who’s knocking off the members of her mystery book club as she leads discussions about novels by Agatha Christie. She’s also at a crossroads in her life. For one thing, she’s begun a budding romance with an intelligent, good-looking world-renown architect. Allistair West has made it very clear that he’s interested in a long-term relationship. Then why is she drawn to Detective Brian Donovan? Hasn’t she had enough of “interesting” men? The last “interesting” man she got involved with was her second husband. He proved to be unstable. And when she began divorce proceedings, he burned down her house with himself inside.

Lexie finds herself house sitting in the upscale village of Old Cadfield, blocks from where Rosie, her best friend and former college roommate, lives with her husband. Hal was Lexie’s college boy friend, until she decided he was too serious. Now Hal is a successful financier. Has Lexie been making wrong choices all her life or simply being true to herself?

Lexie feels out of place in this posh neighborhood. The surviving book club members close rank and refuse to answer her questions. Even Rosie tells her to stop playing Miss Marple. Lexie wonders: don’t they care about finding the murderer? Has Rosie changed that much since college? Is it possible that Rosie is the murderer?

Lydia Krause, in A Murderer Among Us and Murder in the Air, is fifty-eight when she moves to Twin Lakes, an over-55 gated community. She's about to embark on a new phase in her life. Newly widowed, she has recently sold the company she’s headed for many years. In A Murderer Among Us, Lydia's older daughter, who still resents her for having gone to work full-time when she was in elementary school, constantly asks her to baby sit. Lydia knows something's wrong. She unearths her daughter’s secret and takes steps to heal their relationship. She also forms friendships with other women, something she didn’t have time for when she was busy running a company.

The problems and concerns of dating among the older set is a theme in Murder in the Air. Lydia’s on and off relationship with Detective Sol Molina is affected by his fear of forming a serious relationship and his not liking Lydia’s involvement in the homicide investigation concerning her murdered neighbor. And what is she to do when one of her neighbors invites her out? Lydia’s part-time job, which she took to keep busy, is leading to a more


important and time consuming position. Should she take on more responsibilities at this point in her life? All questions that retired people ask themselves each day.

There are many themes to write about. Love, betrayal, aging, new beginnings. What are some of the themes that run through your mysteries?

Monday, February 18, 2013

Creating Your Sleuth


Mystery Writers: do you create your sleuth’s personality and characteristics, or does he/she come to you fully-developed like Botticelli’s Birth of Venus, and ready to snoop?  

Just as both nature and nurture have a hand in the makings of a human being, various elements go into your sleuth’s development. One is the trends of the day. In the Thirties and Forties sleuths were tough PIs. These days anything goes. We’ve grumpy investigators, independent female lawyers, science-oriented CSIs. Your sleuth can be a judge, a homicide detective or amateur sleuth. Even a dog, a cat, or a 12-year-old girl. It depends on the type of mystery you’re writing—cozy, police procedural, traditional.

Your sleuth is the most important character in your book. This is especially true for those of us who  write series. He/she is the hero, the character who IDs the murderer and solves the crime. Some sleuths have achieved world-wide renown. Consider Sherlock Holmes, Nero Wolfe, Phillip Marlowe, and Ellery Queen. When Hercules Poirot “died,” his obituary was printed in The New York Times.

Your sleuth sets the tone of your book. Is she intelligent but flaky? Is he somber and beset by demons from his past? Your sleuth views the world from specific perspective. He/she has a particular method of solving problems, both personal and those related to the mystery. He/she has strengths and weaknesses, and people in his/her life who are supportive (best friend, spouse, lover) or a thorn in his/her side (competitor, disagreeable boss.) Always give your sleuth personal issues to deal with, and plenty of room to develop and grow.

A word about quirky characteristics. Like many TV viewers, I fell in love with Monk. I also enjoy watching the new series “Elementary,” which takes great liberties with the characters of Sherlock and Watson. But be careful not to go overboard. Your sleuth’s neuroses and/or disabilities are not simply window dressing, to be discarded in the middle of a novel. If, like Rex Stout’s Nero Wolfe, your sleuth almost never leaves home, be prepared to set your books around this situation.

My sleuths are all female, but of various ages and in different stages of their life. Lydia Krause, in my Twin Lakes books A Murderer Among Us and Murder in the Air, is a 58-year-old widow who has sold her company and moved to a retirement community to start a new life. Lydia is feisty and smart, yet sensitive and a bit vulnerable. She solves mysteries as she makes new friends and finds love along the way. 

Gabbie Meyerson, in Giving Up the Ghost, is in her thirties. Newly-divorced, she takes a teaching job in a small Long Island village. She deals with high school bullies as she finds out who murdered Cameron Leeds, the ghost who shares her cottage above Long Island Sound.

Lexie Driscoll is the sleuth in my new series, The Golden Age of Mystery Book Club. The first, Murder a la Christie, makes its debut this year with L&L Dreamspell. Forty-eight-year-old Lexie is a bright college professor with poor judgment when it comes to men. Her first husband left her when she was pregnant with their son. Her second husband burned down her house with himself inside. Low on funds, Lexie agrees to lead a Golden Age of Mystery book club for her best friend’s wealthy neighbors. House-sitting in the upscale community, she feels like she’s inhabiting a Christie novel. When murder rears its ugly head, she employs Hercules Poirot’s and Miss Marple’s methods of deduction to solve the crimes.

Please leave a comment and tell me who your favorite literary sleuth is, or a bit about your sleuth.