by Janis Patterson
I've done it again. I didn't mean to, but I've done it
again.
Every time I get buried by unfinished books - and that means
more than the four or so I am always writing on at once - I swear I will not
plot/plan another one until I've finished up everything I'm already working on.
I really mean it, but I just can't help myself. Book ideas
keep hurling themselves at me with the density and rapidity of a snowstorm, and
they're too good just to ignore.
For example - when The Husband and I went to Illinois for
his high school reunion earlier this summer I was trying not to think of
anything writerly, wanting just to have a good time seeing his old hometown and
the kids he grew up with. No such luck. As we are both rabid historians, we
spent a grey and lovely morning in the rain exploring an historic cemetery
there. It was deliciously spooky, with clouds so low you could almost grab a
handful if you reached up over your head, and lots of examples of over-the-top
Victorian mourning cemetery art, and a dense, dark forest choked with
sinister-looking underbrush hovering at the edge.
One thing that I find tragic and infuriating is that so many
- especially of the older stones - have been vandalized. Pushed over, scored to
illegibility, parts broken off - what kind of person would damage the stones of
the long-dead? I do hope there is a special part of Hell for these savages, and
that they get there soon! I mean, what kind of mentality would get pleasure
from breaking the head off a baby lamb on the gravestone of a two year old
child who died over a hundred and thirty years ago? They're sick - just sick!
While we were walking through the oldest part of the
cemetery, looking for some of his relatives and Civil War casualties who were buried
there, within twenty minutes I had a complete book - the second in my Rachel
Petrie, Contract Archaeologist series - completely plotted. (Rachel's first
book is A KILLING AT TARA TWO, and will be out this fall.) The main characters
had walked in, introduced themselves and told me their function in the story. Later
that afternoon, I sat down at my laptop and made a new file with a couple of
pages of notes and a gaggle of photographs so everything will be fresh when I
finally am able to write it. The title is A KILLING AMONGST THE DEAD.
Okay - that makes five books in my to-be-done queue. That's
enough, I thought. I'll quit plotting for a while.
Yeah. Sure. Right now I'm almost finished with a Mindy
McMann book called A WELL-MANNERED MURDER. She's a researcher for a non-fiction
writer who always manages to get herself into trouble. I guess Mindy was
jealous that Rachel was getting a new book, because while The Husband and I
were in historic Jefferson Texas at a (fantastic!) symposium on the War Between
the States a new Mindy book popped into my head, complete with action, setting
and characters. It's about revisionist history, radicals and long-held grudges.
While The Husband napped after the seminar, I pulled out my laptop and made
another file, complete with storyline, character sketches and photographs. This
one isn't titled yet, but it will come to me.
Note - I never go anywhere without my laptop. Do you?
Sometimes on short trips I never take it out of its case, but I have to have it
near me. The Husband calls it my security blanket, and I guess he's right,
though so far I have resisted taking it along to the grocery store and my nail
salon.
So - now you see why I sometimes get so steamed when people
ask in all seriousness how I get my ideas, as if it's some special rare talent
that must be learned. I would really like a place where for a week or two at
least I DIDN'T get viable ideas. I can't tell you how many 'ideas' both
complete and fragmentary I have tucked away on my computer, most of them good
enough to be turned into or at least used in books. Don't these people think?
Don't they have some sort of rudimentary imagination? How can they NOT get
ideas from just about anything? I don't understand. I just don't understand.
