Monday, September 26, 2011

Plug Your Mysteries Days - Monday and Tuesday

Get ready, Get set, Go!
Leave a short plug for one of your own or someone else's mysteries on Monday, another on Tuesday, or the same one again on Tuesday! Don't forget to leave a buy link and your website/blogspot link as well.

Only one per day, please!

Mine is Killer Career - a romantic suspense about a lawyer whose career change could be deadly for her and those she loves.




Killer Career is 99 cents
on Kindle and Smashwords
Also in print at Amazon
and other venues

http://www.morganmandel.com/
http://morganmandel.blogspot.com/

Friday, September 23, 2011

A Conversation with Alafair Burke

The daughter of James Lee Burke "is a terrific web spinner" who "knows when and how to drop clues to keep readers at her mercy," according to Entertainment Weekly. Her two series feature NYPD Detective Ellie Hatcher and Portland Deputy District Attorney Samantha Kincaid. A former prosecutor in the Portland, Oregon, DA's office, she currently teaches criminal law and procedure at Hofstra Law School in New York.

Alafair, how did NYPD Detective Ellie Hatcher come into being as well as Portland Prosecutor Samantha Kincaid?

I was a prosecutor in Portland, Oregon, for several years. After leaving to move to New York, I missed my office. I missed Portland and my friends. And as a long-time mystery reader, I had always wanted to write a crime novel. I thought I’d finally learned enough about the world to give it a try, so I started with Samantha Kincaid, who is a prosecutor in the very office where I served.

By the time I was working on my fourth novel, I’d been living in New York for a few years. I thought the anonymity that comes only in a city this big was exciting territory for me as a writer. I was also ready to write a faster paced book with an investigator, instead of a lawyer, at the center. I had a story I wanted to tell that involved Internet dating, and I thought a young New York City detective was the perfect narrator. I actually meant for that book (Dead Connection) to be a standalone, but I knew when I wrote the final chapter that I’d still be hearing more from Ellie.

What prompted your Duffer Awards?

The only thing I love more than reading books is talking about them. Sometimes I think I only write so I’ll have a work-related reason to talk all day about mystery novels.

I’m traveling less this year for book tours, so I wanted to do some fun things online that would involve interaction with readers I might not get to see in person. A couple of months ago, I gave out some so-called “Duffer Awards” in my newsletter, and my readers thought it was a big hit. I thought it would be fun to let readers vote on a new award every day for a month. And since I don’t like real competitions like smartest sleuth, where feelings can be hurt, I decided that the awards had to be for silly stuff like Best Hat and Most Likely to be Institutionalized. I hope crime fiction readers will stop by every day to cast a vote on each category. And to sweeten the pot, anyone who posts a comment is entered to win signed books and gift certificates to booksellers. The more comments, the more chances for loot! The awards are at http://www.alafairburke.com/.

How do you manage to write two crime series while serving as a Professor of Law at Hofstra University? What’s your writing schedule like?

I honestly don’t know how anything gets done. I Facebook, Tweet, and eat constantly, yet at the end of the year, I usually have a book and a couple of law review articles on my computer. I do try to write every day, and very rarely miss two days in a row. That continuity makes a big difference. Even if I only write a couple of paragraphs on a busy day, I can jump in the next day, fully aware of where I am in the story, how my characters’ voices sound, and how they feel in that moment.

Tell us about your latest release.

I’m very excited about Long Gone. It’s my first stand-alone thriller. I guess I said that about the first Ellie Hatcher book, too, but this time, I think I really mean it. And it’s the first time I’ve written about a character who is outside the criminal justice system.

After a layoff and months of struggling, Alice Humphrey finally lands what she thinks is her dream job managing a new art gallery in Manhattan’s Meatpacking District. Everything seems perfect until the morning Alice arrives at work to find the gallery gone—the space stripped bare as if it had never existed— with the man who hired her dead on the floor. Overnight, Alice’s dream job has vanished, and she finds herself at the center of police attention with nothing to prove her innocence. There’s also a missing girl from New Jersey, a rogue FBI agent, and Alice’s nightmare family running around the pages, but I promise it’s all one story.

This is a higher concept book than my series novels, and sometimes those don’t end as successfully as they start. I’m very proud of how all the threads come together here, though.

How much did your father influence your own writing?

With a father who was writing and mother who was a librarian, we were a family that not only told stories, but thought it was perfectly natural to write them down. My mother would take me to the library every Saturday for a new stack of books. The rhythms of story telling and character creation become ingrained when you read all the time.

Advice to fledgling crime writers?

Read. Read a lot. But don’t try to copy anyone. Figure out what you can offer the genre. And then write every single day – without starting over – until you finish. Once you have a beginning, middle, and end, it is much easier to make adjustments than you’d ever believe. The hard part is getting it done.

How, in your opinion, is the ebook revolution affecting major publishing practices?

I’m a bit like the ostrich in the sand on this one. Or a kid with fingers in ears saying, “La, la, la, I’m not listening to you.” I try to focus on the books and appreciating the readers I have instead of figuring out the business. That said, my sense is that publishers were more panicked two years ago than they are now. They still believe that writers need a conduit between them and retailers (whether electronic or paper). In my case, they are really pushing the idea of growing my readership through e-books. For example, they’re currently offering Angel’s Tip for $1.99. (See how I worked in that plug. Wily, huh?)

What has brought you the most pleasure and satisfaction?

Knowing that someone is reading your work is a grand high. When I hear from readers who say they stayed up all night because they couldn’t put down one of my books, I still want to scream out loud.

Any publishing regrets?

I don’t believe in regrets. Maybe my very first book would have been better if I’d cut back on some detail, but debut novels are detailed for a reason. New writers share some of the same habits. I like to think that every book I’ve written has been better than the rest. As someone who cares more about the longevity of my publishing career than dollars and cents, that makes me pretty content.

Thanks, Alafair.

You can visit Alafair at her website: www.facebook.com/alafairburkebooks
At Twitter: www.twitter.com/alafairburke
And at: http://www.alafairburke.com/

~Jean Henry Mead

Wednesday, September 21, 2011

Report From Bouchercon

Bouchercon 2011 happened to coincide with my mother's 90th birthday. As both Bouchercon and Mom are in St. Louis, I was able to make both.

I had not been to Bouchercon since 2005, so I had a lot of friends to catch up with, but that's what the bar and the hospitality room are for. I spent way too much time and money in the bar and talked myself hoarse on Friday night.

One of the best things about Bouchercon is the book bag. This one was huge. I won't list all of the books I received, but two that really look exciting are The Ice Princess by Camilla Lackberg and The Deputy by Victor Gischler. Lackberg is one of Europe's top novelists. The buzz at Bouchercon is that she will soon be one of America's. Gischler is the author of hard-boiled crime fiction such as Gun Monkeys and Go-Go Girls of the Apocalypse, so I know this one will be a wild ride.

The Private Eye Writers of America held the Shamus Award dinner on Friday night. Lori Armstrong's book, No Mercy, won best P.I. hardcover. Lori seemed shocked to win. A lot of people expected Robert Crais to get the award for The First Rule. I'm going to get Armstrong's book for sure. Mercy seemed to be the theme for the night. Michael Ayoob won Best First P.I. Novel for In Search of Mercy. Sarah Paretsky was given the Hammer Award, a new award for best character for, who else?, V.I. Warshawski. The award so move Sarah that she was speechless. The Shamus award dinner is always held off-site. This year it was held at a St. Louis landmark, Anheuser-Busch Brewery. All the beer we could drink. Thank God I didn't have to give a speech.

Bob Randisi, who founded the PWA, was one of the special guests of the convention. He's written over 550 books, averaging 16 books a year. For most writers, 16 books would be a productive career. He did not reveal any secrets except that he likes to tell stories.

None of the panels struck me as extraordinary this year, though with five concurrent sessions each hour, it was impossible to get to all of them. There might very well be some great ones that I missed. Don't get me wrong. Most of the panels I attended were informative and fun: Max Allen Collins telling about his relationship with Mickey Spillane; Collin Cotterill, Linwood Barclay, Bill Crider, Lisa Lutz and Elaine Viets talking about their one star Amazon reviews.

In reality, the panels are secondary to the real fun of Bouchercon—a four day conversation about crime fiction with writers and readers from around the world that flowed in and out of the bars, the dealer room and through the halls.

Mark Troy
Hawaiian Eye Blog
Now in the Kindle, Nook and iBook stores
Big Dance With Death
Drop Dead Zone
Kill Leader
Teed Off 

Tuesday, September 20, 2011

Central Coast Writing Conference Report

This past weekend I've been in Morro Bay and San Luis Obispo. As part of the staff of the CCWC, hubby and I stayed at the La Serena Hotel overlooking Morro Bay. The conference was held on the Cuesta College Campus.

What was unique about this conference was the fact that what is happening today with publishing was the main theme. Huge example, Mark Coker, the founder of Smashwords was one of the keynote speakers at the beginning and the end.

The first day was begun with a talk about all the tech toys and demos.

Laurie McLean, an agent with the Larsen Pomada Agency, is now working with authors to promotr e-books.

Jonathan Maberry gave a rousing keynote about his path to publication, his writing habits, and lots more. He also taught a class on thriller writing.

One class was on blogging.

There were plenty of the usual classes, something for anyone no matter where they were in their writing career.

I taught a class on Mystery Writing 101 and another on The Importance of Setting. Full classes and great students.

This was the first time I've ever been to this conference and I was truly impressed: well organized, lots of topics to choose from, top-notch instructors, I felt honored to be one of them.

Marilyn
http://fictionforyou.com/

Jonathan Mayberry spoke and taught a class on writing thrillers.

Monday, September 19, 2011

Community Spirit by Morgan Mandel

Sunday morning my husband and I went to a pancake breakfast sponsored by the American Legion. He's a member of the Sons of the American Legion, and likes to attend their events, plus who could pass up their great breakfast spreads!

We also enjoy being members of the Festival Committee, which runs a five day event with the Fourth of July as the main fulcrum.

Those are a but a few organizations in our area, which help the community and also give their members a feeling of belonging. There are quite a few others.

How can community organizations relate to writing, especially mysteries?
  • Bestowing a community spirit on your characters can be a way of rounding them out, showing they have values, generosity, and are decent people, as well as giving them a focus or goal.
  • Or, the opposite - A character can be devious and pretend to have the well being of the community at heart, but actually be plotting a vicious crime.
  • Organizational doings can be a great backdrop for something unusual to take place, like a murder.
  • Characters suffering from the results of crime can find a measure of relief by becoming part of a community and getting caught up in the spirit.
Have you included something similar in one of your books, or do you know of an example? What do you think of the idea of including some form of community spirit in a mystery?


Morgan Mandel


Killer Career is 99 cents on
Kindle and Smashwords,
Also $13.95 in print.
Forever Young-Blessing or
Curse Coming soon -
Two Wrongs to be re-
released very soon.

Sunday, September 18, 2011

DWD: Is it a crime?

We drove our RV to San Diego the other day and took I-10 to Interstate 8, which dictionaries could use to illustrate the definition of desolate. We had the road mostly to ourselves as we motored along at a cruise-controlled 60 mph. A storm front had already come and gone earlier in the trip, leaving us with bright sunshine, dry air, and our thoughts to ourselves. Blistering-hot Yuma lay in the distance for our overnight stop.

We played music on our iPod, but we've heard it all before; we chatted amiably, but as an old married couple we've said it all before. My mind drifted to writing projects. The lonely Interstate was a good place to plan the broad outlines of a novel. So I began Driving While Daydreaming, which shouldn't be a problem as long as the driving takes precedence.

I started thinking of some of my co-workers over the years of my checkered career, and who had traits that would make good fictional characters. And then I thought of some of my bosses. It didn't take long to think of one or two who would make dandy victims in a murder mystery. Mind you, most of them were essentially nice people, but some had a trait here or there that had me grinding my teeth. Combine the worst traits of several bosses, and voila (or viola, for the musically inclined)--you have the Victim Who Deserves It.  The entire office will shed crocodile tears, secretly glad someone else did the deed for them.

A unique plot? Of course not. Precious few basic plots exist, but only you have had that particular combination of godawful bosses and quirky co-workers. That's where you make the story your own. You don't want to describe real people, of course, so be sure to mix everything up. Combine not only personality traits but people's looks, even gender and occupation. And then get out your virtual gun, twirl your virtual mustache, and plot a virtual crime.

Don't worry. Keep your eyes on the road, and a jury will never convict you of DWD.

Friday, September 16, 2011

Technology, Schmechnology

I try to keep up with what's going on in the world for the sake of my characters when I'm writing. However, I'm too old fashioned to jump at all the latest gimmicks out there. I still just use a cell phone to make phone calls. It receives text messages, but I delete them if someone dares send me one. It has the usual number buttons, though I'm not interested in sitting around trying to figure which numbers to press to spell out "get lost." I have considered getting a smart phone to learn what my characters might do with it, but I haven't taken the plunge yet.

I did give up and go high-tech with the TV a week ago. I'd been content with a remote that changed channels and switched on and off. We've used a DVD/VCR to record the CBS evening news and my wife's favorite morning show, The Price Is Right. The recorder had been screwing up recently, though. After numerous efforts to watch the news or Drew Carey failed, we decided something had to be done.

Our old 32-inch TV, a monster device that weighed a ton when I tried to move it, was at least twenty years old, though it still had a fairly decent picture. We decided to go all out and get a 42-inch flat screen model with High Definition. Comcast had provided us with a small gadget that sat on top of the TV when they went all-digital. I discovered a full-size cable box would be required to get HD on the new set. I also discovered for the same price I could get a cable box/DVR, a digital video recorder.

I got all the connections made and the device activated and voila! Up pops a menu will all sorts of possibilities. The TV has a Wi-Fi connector. I can connect with my computer and display Internet content on the TV screen. Do streaming movies, photo albums, all sorts of things. With the Comcast box, I can record TV programs galore. Using ON DEMAND, dozens of programs telecast over the past week are available to watch again, plus dozens of movies.

The only problem is I have two manuals (TV and cable) and three CDs to peruse to learn how to use all this stuff. Technology, ain't it great? Ugh!

I suppose it's necessary to give me the ability to keep my characters in vogue with the times. How about you? Have you upgraded your life to take in all the latest gadgetry?

Chester Campbell
The new Sid Chance thriller, The Good, The Bad and The Murderous is now available. When Sid gets the call to prove a young man who spent most of his life in prison for a murder committed at age twelve is not guilty of a new homicide, things get dicey fast. Think Medicare fraud, drug trafficking, a bad cop, and a hired killer. Order at The Bookstore on my website.