In my
current, and as yet untitled mystery, I changed the killer in the middle of the
book. No one knew but me, until my editor commented that the killer was
unconvincing. He just seemed to float in the air until he pounced on the
victim. It made me think even harder than I’d already done to finish this
book.
Yes, he was
unconvincing because I didn’t really know him—and
it showed.
Time for
character sketches. Yes, he grew more
real to me in writing five or six pages about him. But I still couldn’t
nail him to the paper so I tried another technique which I’d
read about.
I used the third person omniscient point of view. It went something like the
following. Character name is an early riser, waking as the newspaper slaps up
against the front door, setting his two Rottweiler’s barking. Coffee first, then the dogs get fed. He
made a pot of organic, fair trade coffee from Kenya and poured it into a blue
ceramic cup.
And it just came as though I was taking dictation. Whew! Where did
the Rottweilers and the fair trade coffee come from? I don’t know. It just
happened.
In writing your own day-in-the-life you might discover a female character
wears jeans and a red scrunchie in her thick, curly hair. She goes to the office and
snarls at a co-worker. And on it goes. You can’t
write fast enough to keep up with your imagination. Whoops, a contradiction.
Suddenly you’re
writing that she loves her job. Now you’re off in another direction.
Just keep writing. One character attribute that you uncover will be
stronger than another. Simply said, you get further and further into your
character description and a better idea surfaces.
I’ve always trusted that the psyche has an unlimited
supply of characters and plots for me to use. I needed to make friends with her
and ask for her help.
And once again, she came through.
I've written three short eBooks on the subject of writing your first mystery. The first one is available FREE on my website at http://marpreston.com
1 comment:
So looking forward to meeting you in person.
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