Tuesday, March 22, 2022

Making Time to Write

 Because I'm not a big-name author nor can I claim being a full-time writer, I need to figure out when I can write. I'm still trying to finish the edits on my latest and last Rocky Bluff P.D.

If I love writing as much as I've claimed,  what do I have to do that is so important it comes before writing?

First, is taking care of my husband. He cared for me for most of the 71 years we've been married, and now he needs my help.

Second, I have a big family that I love, and when I have the opportunity to be with them, I jump at it. (Well, I no longer jump at all, but you know what I mean.)

I have another job which crops up from time to time, one that actually results in my being paid for my time, so when someone calls on me, I'm going to do it.

Though I no longer do all the household chores I used to do, there are still some I can accomplish and they take some of my time and attention. I'm also the one who does the bill paying, keep track of expenses, and taking care of income tax. 

And in order, to sell my books, I do a fair amount of online promotion. Hopefully there will also be more occasions to talk about my books and sell them at in-person events as the year progresses. 

I use the priority system and do whatever needs to be be done first. Sadly, writing isn't one of the first on my list.

Also, I need to write in the morning when my brain is fresh. I shop in the morning and most of my hubby's and my doctor appointments are scheduled for morning.

After all this you probably wonder when I do write and the answer is whenever I can, which is not as often as I'd like.

Marilyn

Wednesday, March 16, 2022

The Reader-Writer Contract

by Janis Patterson

I hate being treated like a convenience. While there are wonderful readers and I have many wonderful fans, there are those who stand out, and not in a good way. At a glance, the reader-writer transaction seems fairly balanced. I take my time and effort and skill to create a story and make it available; the reader, judging from the blurb, the cover, my track record, word of mouth and other indicators, buys my book, thus giving me wages for the hours of labor I put in on the story.

There’s an elegant simplicity in that... or at least there should be. Some days  it’s hard to find - if not downright impossible. These days somehow the author has morphed from a skilled and respected creator of worlds and populations to the level of a semi-skilled drudge or ordinary and pretty much interchangeable ‘content creator,’ as one large publisher once tried to re-name us. 

Readers castigate us for charging so much for our books - without even considering the time and effort and dedication it took to create that story and even when they are released through traditional publishers who give us no input at all in covers, let alone in pricing. 

People contact us and beg for free books; they say they cannot afford the book, but want so much to read it. Some promise that they will tell all their friends how wonderful our book is and that all of them will buy it - but only if we send the petitioner a free copy. 

Some of the most offensive say that we should be happy to share our books for free just so we can relish the knowledge that our words are being read. Hello! Writing is a business, and a workman is worthy of his hire... Writing is a skilled profession and while we want our words to be read and appreciated, we should not have to work for free to be so. Just try that ‘working just to be appreciated’ reasoning with other skilled professions, such as accountant or plumber or physician!

Part of the problem is that writers are not valued as the educated, professional craftsmen that we are. In America, at least, books are written in English, and since most everyone here speaks (in some cases a sort of) English, they mistakenly believe that anyone can write a book. After all, they speak English, don’t they? There’s no reason they couldn’t sit down and dash off a book or two when they have the time... If I had a dollar for every time some person has assured me with heartfelt intent they’re going to write a book when they get around to it I probably could buy my own private island. The trouble is, most people want to have written a book (and therefore garner the largely mythic benefits of fame and fortune) instead of doing the work necessary to write a book. It is true, though, that most people are physically capable of writing a book. It is writing a good book worthy of being published and read which is the difficult part.

Our books are stolen and put up on the internet for free, whether for actual giveaway or credit card phishing bait. For a long time paperbacks were free of this electronic theft and there used to be a fail-safe built in with paper, but no more. Yes, paperbacks are swapped around, they are loaned and used ones are a staple of thrift stores and garage sales, but paper - especially the paper used in mass-market paperbacks - is relatively fragile and will wear out, where electronic files are forever. Now some canny crooks are scanning the paper copies and putting up the resultant scan for free.

Even worse, whether the book originated electronically or on paper, some of these criminals are putting the book out as being written by them, selling them and collecting the money. With no payment or acknowledgement, must I add, to the original writer. Sometimes the names and perhaps the locations and the title are changed, but not always. 

What is truly sad is that this piracy is barely regarded as a crime by law enforcement and our government. We have to prove that a crime has occurred and then are more often than not ignored or passed off with a ‘sop’ for an answer. Many of these thieves are based in foreign countries, and right or not, that protects them, which is an insult to every creator. (Musicians and artists are pretty much in the same boat, though they appear to have a few more rights recognized legally than does the poor writer.) I say theft is theft, whether it is your words or a diamond ring from a jeweler’s, and it should be treated as such. But they aren’t.

So why do we keep writing? In my case, mainly because I can’t not write. I’ve been a wordsmith in any number of industries since my elementary school days (yes, I was first paid for writing when I was 9 or 10 years old) and the idea of doing anything else is beyond my comprehension. I’ve held other kinds of jobs, but even then I have always written, creating the best stories and characters in the best form I can... in other words, I live up to my end of the reader/writer contract. I only wish more readers did.


Tuesday, March 8, 2022

ENDING A SERIES

 I am close to finishing an as yet untitled Rocky Buff P.D. mystery series, and as I'm finishing up, I've decided it will be the last one. It's time. I will miss the town of Rocky Bluff--one of my own creation, but much like many small towns along the southern  California coast and in many ways, except how it looks, much like the Oxnard I lived in many, many years ago.

I'll also miss the characters who have been living in my head for so long--more years than they've been living on the page.

Doug Milligan started out as a regular police officer with two kids and an unhappy marriage. Over time, life has improved for the now Detective Milligan. 

I'll probably miss Officer Gordon Butler the most. I had the most fun writing all his mishaps, his troubled love relationships, and finally how life changed for him.

Introducing the new police chief, Chandra Taylor was fun too, along with her romance with the handsome mayor, one that has had trouble getting off the ground.

However, there comes a time when an author (me) knows when it's time to wrap things up and retire a series. I'd like to hear if any of you authors have had the same experience.

Not as We Knew it was the one before this one.

https://www.amazon.com/Knew-Rocky-Bluff-P-D-Mysteries-ebook/dp/B08NGLMZJC/ref=sr_1_1?crid=27UZKTPBGBX63&keywords=Not+as+We+Knew+It+by+F.+M.+Meredith&qid=1646578127&s=books&sprefix=not+as+we+knew+it+by+f.+m.+meredith%2Cstripbooks%2C971&sr=1-1

Marilyn, who writes the RBPD mystery series as F.M. Meredith


Tuesday, February 22, 2022

Yes, I'm Behind

My only excuse is I've been really, really busy--and then I was tired.

My days are really full--especially the mornings when my mind is clear and ready to work. This is my ideal time to write. However, I've been busy with other pursuits and "have-to's" leaving no good time for my work in progress. And yes there is one.

I'm nearing the end of the first draft of my latest Rocky Bluff P.D. mystery. It's been a fun one. Some insights, The RBPD is still dealing with the effects of the pandemic,the city council is unhappy with decisions Police Chief Taylor made,  a fortune teller and a philandering husband have been murdered, the mayor's daughter must choose between living with her father and her aunt, and as usual, life has it's many ups and downs for those living in Rocky Bluff.

I've also been planning a trip to Las Vegas--not for fun, but to attend my last Public Safety Writers Association board meeting. Though I hope to have helpful input, I'm also looking forward to spending time with the board members, most of whom are long-time friends.

While I'm in Vegas, I plan to see my sister and a few members of her family since they live there. I never do all the other things people go to Las Vegas for.

When I get home, it will be time to do my taxes--not something I'm looking forward to, except getting them done.

And this is my life as an author--not anything like I dreamed about. However, not matter what is going on, I still love the excitement of creating another world, and getting to visit with the characters I've spent so much time with other the years.

How is your February going?

Marilyn


Wednesday, February 16, 2022

A Peroration on the Stylization of - - Oooh! Shiny!

by Janis Patterson

Pundits say that in this modern world of soundbites our attention spans are getting shorter. That’s not a new thing. Some writers have had it since forever. While this problem affects all writers at one time or another, it does seem to afflict amateurs more than professionals. Of course, with professionals not getting paid until a project is finished is a great incentivizer to complete things. 

Professional or amateur, we have all experienced the ‘shiny’ moment. We’re working along on our current project when suddenly a wonderful new idea - the idea we’ve been waiting for, the perfect story, our ticket to fame and fortune - pops into our mind. As seductive as chocolate, it winds its way around our brain, whispering absolutely perfect scenes, introducing fascinating characters, spinning an intriguing storyline that is incredibly original...

So what do we do? Lots of us drop the story we’re working on - and probably struggling with - to pursue this new idea. We don’t stop to think of the litter of partially finished manuscripts that lie in our wake, as this new idea is The Story. We also tend to forget that the one we’re abandoning might have appeared as The Story at the beginning, as probably did all the others.

That’s why a lot of stories remain unfinished, and why many amateur writers never seems to complete a project. Professionals have to, or they don’t get paid, but I know professionals who have their share of abandoned/postponed projects lurking metaphorically ‘under the bed.’

Perhaps I should make a confession - I am a professional writer, and have been for decades. Because I bore easily, I never have fewer than four projects going at once. When the well dries on one, I simply switch to another and eventually they pretty much all get done. It’s very rare that I completely abandon one, but it has happened.

Let’s face it - writing is hard work. Creating worlds and populations and situations out of little but imagination and caffeine (in my case) takes dedication, application - and a lot of sitting and banging on the keyboard. The siren lure of the ‘perfect story’ that would be so easy to write is almost irresistible. We tend to forget that the current story with which we are wrestling probably first appeared as the ‘perfect story’ in an attempt to seduce us away from what we were working on at the time.

So what to do? It’s easy to say that we should ignore the siren whisperings and doggedly continue with the current project, but that’s pretty much what is necessary - especially if we want to finish it and get paid. That’s what separates the professional from the hobbyist. 

On the other hand, this upstart new idea really might be the one that makes a difference in our career. Can we afford to ignore it and lose a potential success?

My solution is a common one. At first I just ignore it as the ravings of a brain bored with what I really have to do now and continue on with my current project. It’s difficult, but I do it. And you know what? After a while the perfect story, the new bright and shiny idea starts to fragment and fades away like the distracting shadow it really was.

But not always. If the idea refuses to go away, I’ll take an hour or two or three from the current project and write a boatload of notes - sometimes as many as 20-25 pages. The basic idea. Character ideas. Conflicts and resolutions. Ideas for scenes and settings and any other tantalizing things that explode in my brain. Then I put it in a ‘Future’ file and, cracking the metaphoric whip, go back to the work-in-process.

After a test of time, these ‘bright and shiny’ ideas don’t usually hold water, though there are always a couple of nuggets in each that eventually find their way into another work. Sometimes, however, about 1 out of every 8-10 or so, the idea retains its shape and luster and proves itself worthy of the prolonged attention and work necessary to make a handful of ideas into a book. That’s when ‘shiny’ becomes ‘sweet.’

Unless, of course, the writing is interrupted by a shiny new idea forcing its way into my mind, an idea that I just know is going to the The Book, the idea I’ve been waiting for, the Perfect Story, my ticket to fame and fortune...

Yeah. Sure.


Tuesday, February 1, 2022

Not My Day to Post, But...

 Just wanted to let the followers of this blog to know I am offering the first book in my Deputy Tempe Crabtree mystery series free on Kindle through Saturday. .

DEADLY TRAIL  

https://www.amazon.com/Deadly-Trail-Tempe-Crabtree-Mysteries-ebook/dp/B07R7XF4L9/ref=sr_1_1?crid=2KPP8O1EC0U14&keywords=Deadly+Trail+by+Marilyn+Meredith&qid=1643725792&s=digital-text&sprefix=deadly+trail+by+marilyn+meredith%2Cdigital-text%2C164&sr=1-1

 and you can learn more about it on my blog today: https://marilynmeredith.blogspot.com/

It is listed as #0 in the series as it wasn't the first one published.

Like all my other books, it has been re-edited and re-published.

There is also an audio version. 

Try it out.

Marilyn

 


Wednesday, January 19, 2022

Show Versus Tell

by Janis Patterson

One of the most contentious subjects in the writing/reading world is the evergreen argument of show versus tell. For the few non-combatants in this ongoing war, show is where the reader actually sees what happens as it does, instead of being told that it has happened. (By the way, this has nothing to do with past or present tense - it is a construction tool.) 

Both sides have their advocates and logical reasons for believing so. ‘Showing’ brings the reader into the action; ‘telling’ is off-putting and remote, say some. ‘Telling’ gets the action across; ‘showing’ is sometimes clumsy and crude, say their opponents.

I say both tools have their uses. Some things should be shown; some things should not, and I’m not talking just about intimate bodily functions.

When the heroine is creeping through a darkened cellar, unsure if the villain is in there with her, I think the reader should experience every nuance of fear (and hopefully relief when she is rescued by the hero); such emotional involvement is why we read books. This is show at its finest.

On the other hand, imagine a book where every move the hero performs from when he wakes up in the morning, walks into the bathroom, takes care of business then showers, dries off and shaves, finally brushing his teeth before going into the bedroom to dress, taking at least half a page to decide between the blue suit and the brown, the striped tie or the one with little horse figures and finally decides on the one with the gold medallions then takes the elevator down so he can get to his meeting with XYZ Corporation... I’m glad he’s awake, because after all that the readers probably won’t be!

How much simpler to say something like, “After following his normal morning routine Hero hurried to his appointment with XYZ Corporation, his confidence raised by the knowledge he looked very successful in his brown suit and new tie with the gold medallions.” (And even that’s a little wordy, but it beats two or three pages of mind-numbing minutiae!) Telling, not showing.

So, like all the ‘rules’ about writing, you really can’t pin down anything to an absolute always-every-time yes or no. Every writing device - show, tell, backstory, flashbacks, interior dialogue, dialogue tags and the hundreds of others we all know - are just tools, and like every other tool of every kind can fulfill their purpose if used properly.

That’s the telling phrase - if used properly. I am a believer in craft over story. It makes no difference if you have the best story in the world if you can’t convey it to your readers in an intelligent and useful form that tells your story the way it should be. Conversely, there are books where the story is desperately fragile and practically transparent, but the writing is so superb you find yourself reading on in spite of it. Craft over content. Ideally your story should have ample helpings of both, but if one has to be topmost, give me craft.