Most of my inspiration for this post came from a video on
this topic (https://www.youtube.com/watch?v=YMPzDiraNnA&feature=em-subs_digest)
that impressed me when I first saw it.
Here are the basics of what it’s about. The term “learned
helplessness” was coined during (or after?) an experiment with dogs, a pretty
cruel experiment. Two groups of dogs were given shocks. One group could not
avoid them, the other group could jump over something and get away. After that
session, both dogs were permitted to get away, but the first group did not do
it! They had “learned” to be helpless. Only after lifting those dogs away at
least twice, were they able to unlearn the behavior.
There’s much more to the video, but I’d like to use this
part and relate it to two aspects of mystery writing.
First, our characters. We can use this knowledge to
understand why abused women and children don’t escape their environment. They’ve
been well taught that they can’t get away. If you ARE writing characters in
similar situations, this gives you what you need to know to portray their
plights realistically.
Second, we, the mystery writers. We’ve been given a certain
amount of learned helplessness, too, Another part of the video deals with
people and their roles as employees or managers. We tend to stick to our roles.
The writers write. Only a few years ago we were completely dependent on agents
and publishers. The employees, not the managers. And not in charge of our
future. If we want to go that route, we still are.
However, many of us have learned to take advantage of opportunities
that weren’t there those few years ago: small press publication and
self-publication. None of us are dependent on agents or big publishers any more
unless we wish to align with them. We have almost too many options! It’s hard
to choose which route to follow. (I won’t go into it here, how I’ve followed
all the routes at once. That makes me either ambitious or insane. Sometimes I
don’t know which.)
We can not only choose how to get our work published, we can
choose who to market it to and how to do that. We can hire a publicist or do it
all ourselves. We can use Twitter, Facebook, Pinterest, Instagram, Tumblr, giveaway
contests, giveaway strategies, conferences, writing organizations, webpages,
blogs, newsletters, and probably some other avenues I’ve left out.
Of course, no one human can do all that AND write more
books. And stay sane.
But all we have to do as writers today is decide our path
and follow it. We don’t have to wait for someone else to grant us permission.
The video ends with this quote, so I will, too.
Nelson Mandela: “It always seems impossible until it’s done.”
All pictures from morguefile.com
6 comments:
You must keep on going on. At least that's what I do.
Thanks for commenting, Marilyn. You're right--around the roadblocks or over them, but onward.
Excellent post, Kaye. Having so many options can be overwhelming, and the best cure for being overwhelmed is to lie down in the middle of the road and/or get out your laptop and check Facebook... Well, all right, not the cure, but at least a tiny temptation. Do you think it's easier for writers who're just getting into the business and never experienced the old ways of doing things? (I'm not sure which category I fall into; I arrived when the business was in total chaos.)
That's a good question. I came in as the earth was shifting beneath our feet, too. I struggled for a few years trying for an agent, but when the gates opened, I went for small press, then the agent came later.
I would guess that it's harder for the old school writers, but I may be very wrong about that.
Persistence is the name of the game.
Thanks for the comment, Morgan. That's the necessary ingredient, all right.
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